{"id":6170,"date":"2022-04-18T11:16:48","date_gmt":"2022-04-18T09:16:48","guid":{"rendered":"http:\/\/www.wakapedia.it\/?p=6170"},"modified":"2022-05-05T13:23:46","modified_gmt":"2022-05-05T11:23:46","slug":"chim%e2%86%91pom-happy-spring","status":"publish","type":"post","link":"https:\/\/www.wakapedia.it\/fr\/chim%e2%86%91pom-happy-spring\/","title":{"rendered":"Chim\u2191Pom – Happy Spring"},"content":{"rendered":"

<\/p>\n

Happy Spring, une exposition r\u00e9trospective du collectif d’artistes japonais Chim\u2191Pom au Mori Art Museum de Tokyo.<\/strong><\/h3>\n

Au c\u0153ur du quartier futuriste de Roppongi Hills<\/strong> \u00e0 Tokyo<\/strong>, au dernier \u00e9tage de la c\u00e9l\u00e8bre tour Mori, se trouve le Mori Art Museum<\/strong><\/a>, un centre d’art contemporain qui organise des expositions sur des th\u00e8mes actuels et urgents. C’est ici que, jusqu’au 29<\/strong> mai 2022<\/strong>, le plus radical des collectifs d’art japonais, Chim\u2191Pom<\/strong><\/a>, pr\u00e9sente sa premi\u00e8re grande r\u00e9trospective.<\/p>\n

Fond\u00e9 \u00e0 Tokyo<\/strong> en 2005<\/strong> et compos\u00e9 de six artistes, le collectif Chim\u2191Pom<\/strong> est r\u00e9put\u00e9 pour ses installations et performances politiques, provocantes et \u00e0 fort message social. La premi\u00e8re fois que nous, chez Wakapedia<\/strong>, avons d\u00e9couvert leur travail, c’\u00e9tait en 2018<\/strong>, au MAXXI<\/strong> \u00e0 Rome<\/strong>. Tr\u00e8s sensibles au travail des artistes japonais contemporains – pour la plupart encore peu repr\u00e9sent\u00e9s et connus en dehors du Japon<\/strong> – nous avons \u00e9t\u00e9 heureux de constater qu’un grand mus\u00e9e italien leur offrait la possibilit\u00e9 de s’exprimer en Europe<\/strong>. Nous ne voulions donc pas manquer cette grande exposition au Mori Art Museum<\/strong>. Avec le sous-titre \u00ab\u00a0Happy Spring\u00a0\u00bb<\/strong>, les artistes du collectif veulent exprimer un message d’espoir : le printemps, saison de la renaissance, viendra apr\u00e8s les moments difficiles de la pand\u00e9mie et le pouvoir de l’imagination triomphera de l’adversit\u00e9.<\/p>\n

Avec un ton \u00e0 la fois provocateur et ironique, s\u00e9rieux et dr\u00f4le \u00e0 la fois, les \u0153uvres non conventionnelles de Chim\u2191Pom<\/strong> stimulent notre imagination, analysent certains probl\u00e8mes de la soci\u00e9t\u00e9 japonaise (mais dans un langage universel et compr\u00e9hensible par tous, y compris les \u00e9trangers !) et nous aident \u00e0 entrevoir un avenir meilleur en ces temps encore instables.<\/p>\n

\"\"

Chim\u2191Pom\u300a\u30d2\u30ed\u30b7\u30de\u306e\u7a7a\u3092\u30d4\u30ab\u30c3\u3068\u3055\u305b\u308b\u300b2009\u5e74 Courtesy\uff1aANOMALY and MUJIN-TO Production\uff08\u6771\u4eac\uff09\u64ae\u5f71\uff1aCactus Nakao<\/p><\/div>\n

De Pikachu \u00e0 Hiroshima, des \u0153uvres irr\u00e9v\u00e9rencieuses et tr\u00e8s actuelles.<\/strong><\/h3>\n

L’exposition rassemble 150<\/strong> \u0153uvres cr\u00e9\u00e9es au cours d’une carri\u00e8re de plus de 17<\/strong> ans et est divis\u00e9e en plusieurs sections qui abordent des questions tr\u00e8s actuelles : du d\u00e9veloppement urbain incontr\u00f4l\u00e9 de grandes villes comme Tokyo<\/strong> et de ses cons\u00e9quences – consum\u00e9risme, pauvret\u00e9, pand\u00e9mies… – \u00e0 l’influence des m\u00e9dias de masse et aux concepts de fronti\u00e8re et d’espace public.<\/p>\n

Certaines de leurs interventions artistiques les plus c\u00e9l\u00e8bres sont inspir\u00e9es d’\u00e9v\u00e9nements tragiques et de moments tr\u00e8s d\u00e9licats de l’histoire du Japon<\/strong>, mais trait\u00e9s avec humour et ironie.\u00a0 Comme lors d’une performance en 2008<\/strong> o\u00f9 le collectif a \u00e9crit avec de la fum\u00e9e de l’avion dans le ciel d’Hiroshima<\/strong> \u201cPika<\/strong> \u201c, une onomatop\u00e9e japonaise (largement utilis\u00e9e dans les bandes dessin\u00e9es), pour d\u00e9crire le souffle aveuglant de la bombe atomique pendant la Seconde Guerre mondiale. Cette \u0153uvre a \u00e9t\u00e9 pens\u00e9e pour sensibiliser tous les Japonais d\u00e9finis comme HEIWA BOKE<\/strong>, un mot qui d\u00e9signe une partie de la population \u00e0 la mentalit\u00e9 na\u00efve ou indiff\u00e9rente qui nie les probl\u00e8mes et pense vivre dans une bulle de s\u00e9r\u00e9nit\u00e9 et de paix que rien ne peut troubler.<\/p>\n

\u00c9galement li\u00e9e \u00e0 ce drame, une autre \u0153uvre d’art nous a frapp\u00e9s par le contraste entre son aspect color\u00e9 et apparemment joyeux et son histoire dramatique : \u00ab\u00a0PAVILION<\/strong>\u00a0\u00bb (2013<\/strong>\/2022<\/strong>), une installation con\u00e7ue comme une grande pyramide faite de nombreux orizuru (origami repr\u00e9sentant des grues) multicolores qui symbolisent traditionnellement le paix. L’id\u00e9e de cette \u0153uvre est n\u00e9e de l’histoire d’une petite fille japonaise qui souffrait d’une leuc\u00e9mie due aux radiations de la bombe atomique d’Hiroshima<\/strong>. Cette petite fille passait son temps \u00e0 fabriquer des orizuru, dans l’espoir de se r\u00e9tablir et d’envoyer un message de paix. Depuis lors, la ville d’Hiroshima re\u00e7oit chaque ann\u00e9e de nombreux orizuru du monde entier. Ellie, l’une des artistes de Chim\u2191Pom<\/strong>, d\u00e9plie ces orizuru un par un. C’est aux visiteurs de l’exposition de les reconstituer pour exprimer leur d\u00e9sir de trouver la paix. Les origamis pli\u00e9s sont ensuite retourn\u00e9s \u00e0 Hiroshima<\/strong>. Cette \u0153uvre participative symbolise le processus cyclique de cr\u00e9ation et de destruction de la paix dans lequel nous sommes tous impliqu\u00e9s.<\/p>\n

\"\"

Chim\u2191Pom \u5c55\u793a\u98a8\u666f\uff1a\u300cChim\u2191Pom\u5c55\uff1a\u30cf\u30c3\u30d4\u30fc\u30b9\u30d7\u30ea\u30f3\u30b0\u300d\u68ee\u7f8e\u8853\u9928\uff08\u6771\u4eac\uff092022\u5e74 \u64ae\u5f71\uff1a\u68ee\u7530\u517c\u6b21 \u753b\u50cf\u63d0\u4f9b\uff1a\u68ee\u7f8e\u8853\u9928<\/p><\/div>\n

Plus r\u00e9cemment, c’est la trag\u00e9die de Fukushima qui a incit\u00e9 Chim\u2191Pom<\/strong> \u00e0 imaginer une intervention artistique forte et conceptuelle. \u00ab\u00a0Don’t Follow the Wind\u00a0\u00bb<\/strong> est une exposition con\u00e7ue dans la zone radioactive interdite de Fukushima<\/strong>, \u00e9vacu\u00e9e \u00e0 la suite du s\u00e9isme et du tsunami qui ont provoqu\u00e9 une catastrophe nucl\u00e9aire en 2011<\/strong>. Il s’agit d’une \u00ab\u00a0exposition fant\u00f4me\u00a0\u00bb dans la mesure o\u00f9 elle n’est visible par personne et ne le sera que lorsque la zone ne sera plus radioactive et sera \u00e0 nouveau peupl\u00e9e d’habitants. De plus, un mois apr\u00e8s le massacre, les membres du collectif sont retourn\u00e9s \u00e0 Fukushima<\/strong> en tenue anti-contamination et ont document\u00e9 dans une vid\u00e9o la cr\u00e9ation d’une nouvelle version du drapeau japonais : ils ont dessin\u00e9 trois ailes rouges autour du symbole du Soleil Levant avec une bombe a\u00e9rosol, le transformant ainsi en symbole d’avertissement contre les cons\u00e9quences des radiations.<\/p>\n

D’autres \u0153uvres de Chim\u2191Pom<\/strong> sont moins conceptuelles et plus Pop, comme \u00ab\u00a0Super Rat\u00a0\u00bb<\/strong>, un surnom donn\u00e9 par les Japonais \u00e0 une nouvelle race de souris super r\u00e9sistantes aux produits de d\u00e9ratisation. En 2006<\/strong>, le collectif a empaill\u00e9 certaines de ces souris et les a peintes pour qu’elles ressemblent au Pokemon Pikachu<\/strong>, puis les a expos\u00e9es dans des mises en sc\u00e8ne et des positions extravagantes. Ces mascottes apparemment enfantines et amusantes peuvent \u00eatre interpr\u00e9t\u00e9es \u00e0 plusieurs niveaux : d’une part, elles nous alertent sur la prolif\u00e9ration de cette esp\u00e8ce tant d\u00e9test\u00e9e dans les grandes m\u00e9tropoles comme Tokyo<\/strong> (qui compte plus de 200 000<\/strong> rats sur une population de 37<\/strong> millions<\/strong> d’habitants !); d’autre part, cet animal est un symbole positif de la pr\u00e9sence de la nature dans l’environnement urbain ; ou encore, en raison de sa r\u00e9sistance, il peut \u00eatre compar\u00e9 au peuple japonais qui se d\u00e9veloppe et a appris \u00e0 survivre malgr\u00e9 les pand\u00e9mies et les catastrophes.<\/p>\n

Dans l’univers chaotique et d\u00e9form\u00e9 de Chim\u2191Pom<\/strong>, les contradictions et les traditions de la culture japonaise sont remix\u00e9es de mani\u00e8re provocante et humoristique.\u00a0M\u00ealant habilement ironie et provocation, amusement et critique, le collectif nous invite \u00e0 r\u00e9fl\u00e9chir sur des sujets sensibles et controvers\u00e9s, en \u00e9chappant \u00e0 la censure d’une partie de la soci\u00e9t\u00e9 japonaise encore pudique et conservatrice.<\/p>\n

Une exposition que nous vous recommandons vivement de visiter si vous \u00eates de passage \u00e0 Tokyo<\/strong> ce printemps, et un collectif que nous vous recommandons de suivre dans ses expositions \u00e0 l’\u00e9tranger. Stay tuned !<\/p>\n

 <\/p>\n

Edited by: Camille Brunet<\/em><\/strong><\/p>\n

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