{"id":6145,"date":"2022-01-17T16:27:09","date_gmt":"2022-01-17T15:27:09","guid":{"rendered":"http:\/\/www.wakapedia.it\/?p=6145"},"modified":"2022-01-24T12:09:12","modified_gmt":"2022-01-24T11:09:12","slug":"maurizio-cattelan-breath-ghosts-blind","status":"publish","type":"post","link":"https:\/\/www.wakapedia.it\/fr\/maurizio-cattelan-breath-ghosts-blind\/","title":{"rendered":"Maurizio Cattelan – Breath Ghosts Blind"},"content":{"rendered":"

<\/p>\n

Apr\u00e8s plus de 10 ans d\u2019absence, Maurizio Cattelan revient \u00e0 Milan avec un projet immersif et existentiel. <\/span><\/b><\/span><\/h3>\n

Dans la banlieue de Milan<\/strong>, dans le quartier de Bicocca<\/strong>, se trouve l’un des plus impressionnants espaces d’exposition consacr\u00e9s \u00e0 l’art moderne et contemporain de la capitale lombarde : le Hangar Pirelli Bicocca<\/strong>. C’est dans cet imposant b\u00e2timent – \u00e0 l’origine un site industriel appartenant \u00e0 la soci\u00e9t\u00e9 Ansaldo Breda<\/strong>, acquis par Pirelli<\/strong> en 2004<\/strong> et transform\u00e9 en 1 500<\/strong> m\u00e8tres carr\u00e9s de galeries d’exposition – que Maurizio Cattelan<\/strong><\/a>, l’un des artistes italiens contemporains les plus connus au monde, pr\u00e9sente son exposition Breath Ghosts Blind<\/strong> <\/i>jusqu’au 20<\/strong> f\u00e9vrier 2022<\/strong>. Et notre \u00e9quipe Wakapedia, groupie n\u00b01<\/strong> de ses cr\u00e9ations provocantes et toujours d’actualit\u00e9, n’a pu s’emp\u00eacher d’y aller !<\/span><\/span><\/p>\n

Le projet d’exposition, qui marque le retour de Maurizio Cattelan<\/strong> \u00e0 Milan<\/strong> apr\u00e8s plus de dix ans (il \u00e9tait temps !), se d\u00e9roule comme un r\u00e9cit en trois actes, ponctu\u00e9 par les trois \u0153uvres – Breath<\/strong>, Ghosts<\/strong> <\/i>et Blind<\/i><\/strong>– con\u00e7ues par l’artiste comme une repr\u00e9sentation symbolique du cycle de la vie, de la cr\u00e9ation \u00e0 la mort. Parfaitement int\u00e9gr\u00e9e \u00e0 l’architecture monumentale et solennelle du Hangar Bicocca<\/strong>, qui devient elle-m\u00eame une partie du r\u00e9cit, cette exposition est atypique par rapport aux autres expositions de Cattelan<\/strong>, car elle n’est pas impr\u00e9gn\u00e9e de la l\u00e9g\u00e8ret\u00e9 et de l’ironie qui le caract\u00e9risent, mais plut\u00f4t d’une grande malice. Il s’agit d’une exp\u00e9rience immersive et \u00e9motionnelle qui suscite une r\u00e9flexion sur les grandes questions existentielles – du sens de la vie \u00e0 l’in\u00e9luctabilit\u00e9 de la mort – et sur les \u00e9v\u00e9nements qui ont marqu\u00e9 l’histoire contemporaine. Ce projet nous a laiss\u00e9 sans voix car, connaissant le personnage blagueur et toujours souriant, il \u00e9tait impressionnant de voir son c\u00f4t\u00e9 sombre expos\u00e9 de mani\u00e8re aussi magistrale et dans un espace aussi impressionnant. <\/span><\/span><\/p>\n

\"\"<\/p>\n

Un parcours d\u2019exposition en 3 actes<\/span><\/b><\/span><\/h3>\n

D\u00e8s l’entr\u00e9e, les visiteurs sont frapp\u00e9s par la sculpture en marbre blanc de Carrare, grandeur nature, Breath<\/i><\/strong>, parfaitement mise en valeur par le jeu de lumi\u00e8re con\u00e7u par Pasquale Mari<\/strong>. La sculpture repr\u00e9sente un homme en position f\u0153tale – les traits de son visage et le fait qu’il porte un chapeau, l’accessoire f\u00e9tiche de Cattelan<\/strong>, sugg\u00e8rent qu’il s’agit d’un autoportrait de lui-m\u00eame ! – et un chien, tous deux allong\u00e9s sur le sol, face \u00e0 face. La sc\u00e8ne, qui rappelle d’autres marginaux que Cattelan<\/strong> a d\u00e9j\u00e0 repr\u00e9sent\u00e9s, transmet un sentiment de fragilit\u00e9 et de solitude, accentu\u00e9 par la petite taille de l’\u0153uvre situ\u00e9e dans l’immense Hangar. L’utilisation du marbre, mat\u00e9riau pr\u00e9cieux de la sculpture antique, contraste avec cette repr\u00e9sentation de la mis\u00e8re quotidienne et lui conf\u00e8re une aura de sacralit\u00e9, la pla\u00e7ant dans un espace intemporel. Le titre fait r\u00e9f\u00e9rence au souffle qui unit les deux personnages, une fonction vitale aussi imperceptible qu’essentielle, qui peut aussi animer le marbre.<\/span><\/span><\/p>\n

Les spectateurs inqui\u00e9tants de cette sc\u00e8ne sont les centaines de pigeons empaill\u00e9s que le visiteur d\u00e9couvre peu \u00e0 peu, dissimul\u00e9s dans l’architecture de l’ancien b\u00e2timent industriel. Il s’agit de l’\u0153uvre Ghost<\/i><\/strong>, une nouvelle version d’une installation d\u00e9j\u00e0 pr\u00e9sent\u00e9e par Cattelan<\/strong> aux 47<\/strong>e et 54<\/strong>e Biennales de Venise<\/strong>. Dans ce jeu de camouflage, entre inqui\u00e9tude et \u00e9loignement, les pigeons \u00e9voquent la sc\u00e8ne du film Les Oiseaux<\/i><\/strong>(1963<\/strong>) d’Alfred Hitchcock<\/strong>, dans laquelle les oiseaux observent placidement leurs victimes, perch\u00e9es sur les fils t\u00e9l\u00e9phoniques et les corniches des maisons, juste avant d’attaquer. <\/span><\/span><\/p>\n

\"\"<\/p>\n

L’exposition se termine par Blind<\/i><\/strong>, un grand monolithe de r\u00e9sine noire travers\u00e9 par un avion coll\u00e9 au sommet. Une installation qui \u00e9voque clairement, comme une image fixe, le tragique attentat du 11<\/strong> septembre contre les tours jumelles de New York<\/strong>. Cette \u0153uvre imposante, sorte de m\u00e9morial lugubre, \u00e9voque les th\u00e8mes de la mort et de la trag\u00e9die collective. Le titre anglais \u00ab\u00a0<\/span><\/span>Aveugle<\/span>\u00a0\u00bb a une double lecture : il pourrait faire r\u00e9f\u00e9rence \u00e0 tous ceux qui refusent de voir les trag\u00e9dies contemporaines, ou bien il pourrait s’agir d’une critique des hommes politiques qui n’ont pas voulu voir ou \u00e9viter cet \u00e9v\u00e9nement dramatique de l’histoire occidentale contemporaine. Ici aussi, douze pigeons – comme les douze Ap\u00f4tres – assistent immobiles \u00e0 la trag\u00e9die. Un d\u00e9tail v\u00e9ritablement anxiog\u00e8ne qui plonge le spectateur dans un \u00e9tat d’inqui\u00e9tude et de circonspection.<\/span><\/span><\/p>\n

L’exposition Breath Ghosts Blind<\/i><\/strong>– comme toutes les interventions artistiques de Cattelan<\/strong> – ne laisse pas indiff\u00e9rent. \u00c0 la fin de la visite, on ressent un \u00e9trange sentiment de malaise et on est assailli par de nombreuses questions existentielles sur la solitude humaine, le sens de la vie, la peur de la mort … Mais n’est-ce pas le r\u00f4le de l’art ? Remuer les consciences, nous faire r\u00e9fl\u00e9chir, nous pousser hors de notre zone de confort ? Une fois de plus, Maurizio Cattelan<\/strong> a fait mouche.<\/span><\/span><\/p>\n

\"\"<\/p>\n

\u00a0<\/span><\/p>\n

Edited by: Camille Brunet<\/em><\/strong><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Apr\u00e8s plus de 10 ans d\u2019absence, Maurizio Cattelan revient \u00e0 Milan avec un projet immersif et existentiel. Dans la banlieue de Milan, dans le quartier de Bicocca, se trouve l’un des plus impressionnants espaces d’exposition consacr\u00e9s \u00e0 l’art moderne et contemporain de la capitale lombarde : le Hangar Pirelli Bicocca. C’est dans cet imposant b\u00e2timent […]<\/p>\n","protected":false},"author":3,"featured_media":6157,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[36,41],"tags":[1776,1777,1773,1774,1775,1770,1771,1772,1141,1088,1016,1005,1009,292,64,68,69,204,220,91,142,208,12],"class_list":["post-6145","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lets-go","category-italia","tag-mostra","tag-exposition","tag-1773","tag-1774","tag-1775","tag-breathghostsblind","tag-hangarbicocca","tag-contemporaryart","tag-mauriziocattelan","tag-exhibition","tag-1016","tag-1005","tag-1009","tag-milano","tag-wakapedia","tag-68","tag-69","tag-italy","tag-220","tag-91","tag-142","tag-milan","tag-art"],"acf":[],"yoast_head":"\nMaurizio Cattelan - Breath Ghosts Blind - Wakapedia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wakapedia.it\/fr\/maurizio-cattelan-breath-ghosts-blind\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maurizio Cattelan - Breath Ghosts Blind - Wakapedia\" \/>\n<meta property=\"og:description\" content=\"Apr\u00e8s plus de 10 ans d\u2019absence, Maurizio Cattelan revient \u00e0 Milan avec un projet immersif et existentiel. 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