{"id":5391,"date":"2019-03-20T17:52:15","date_gmt":"2019-03-20T16:52:15","guid":{"rendered":"http:\/\/www.wakapedia.it\/?p=5391"},"modified":"2021-03-16T07:29:52","modified_gmt":"2021-03-16T06:29:52","slug":"shanghai-art-week","status":"publish","type":"post","link":"https:\/\/www.wakapedia.it\/fr\/shanghai-art-week\/","title":{"rendered":"Shanghai – Art Week"},"content":{"rendered":"

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Shanghai <\/strong>nouvelle place to be\u00a0<\/em><\/strong>de l\u2019art contemporain? Trois expositions – \u00e0 la port\u00e9e de tous – nous le prouvent! <\/strong><\/h2>\n

Shanghai <\/strong>est une m\u00e9galopole qui voit grand et qui sait bien vivre. Avec ses 24<\/strong> millions d\u2019habitants il s\u2019agit de la ville la plus peupl\u00e9e de Chine<\/strong> et du monde. Capitale \u00e9conomique de la R\u00e9publique Populaire de Chine<\/strong>, Shanghai<\/strong> est le principal centre \u00e9conomique, financier et commercial du pays. Mais pas que\u2026<\/p>\n

Surnomm\u00e9e \u00ab\u00a0Le Paris d\u2019Orient\u00a0\u00bb<\/em><\/strong>, anim\u00e9e par une vie culturelle stimulante et en expansion continue, Shanghai<\/strong> est une m\u00e9tropole \u00e0 la mode.\u00a0 Chaque jour est une succession d\u2019\u00e9v\u00e9nements, d\u2019expositions et de vernissages. La ville pullule d\u2019espaces d\u00e9di\u00e9s \u00e0 la cr\u00e9ation artistique contemporaine – des mus\u00e9es comme le Rockbund Art Museumet<\/strong><\/a> le Yuz Museumau<\/strong><\/a> quartier Moganshan Lu M50<\/strong>, une sorte de \u00ab\u00a0Soho\u00a0\u00bb<\/strong> shangha\u00efen qui r\u00e9unit une grande communaut\u00e9 d\u2019artistes et de talents \u00e9mergents, de vieux \u00e9difices de style industriel r\u00e9adapt\u00e9s en galeries, studios, laboratoires, bar et restaurants. Et comment ne pas citer la spectaculaire Power Station of Arts<\/strong><\/a> – une centrale \u00e9lectrique reconvertie en centre d\u2019exposition de plus de 40.000<\/strong> m2<\/sup>, qui t\u00e9moigne de l\u2019ambition et du caract\u00e8re visionnaire de la politique culturelle locale. Toutefois, la Power Station of Arts <\/strong>est un cas isol\u00e9, c\u2019est le seul projet \u00e0 avoir \u00e9t\u00e9 financ\u00e9 par le gouvernement. Tous les autres ont vu le jour gr\u00e2ce \u00e0 des investissements de grands magnats chinois : Adrian Cheng <\/strong>pour le K11<\/a>, Dai Zhikang <\/strong>pour le Shanghai Himalayas Museum<\/a>, Liu Yiqian <\/strong>pour le Long Museum<\/a>.<\/strong> Le profil des \u00ab\u00a0nouveaux riches<\/strong>\u00a0\u00bb chinois est toujours plus li\u00e9 \u00e0 l\u2019art contemporain, comme en t\u00e9moigne le r\u00e9cent boom des ventes aux ench\u00e8res chez Christie\u2019s<\/strong> et Sotheby\u2019s<\/strong>. L\u2019art est vu comme un investissement rentable, un outil d\u2019auto-promotion ou une op\u00e9ration de brand reputation<\/em>. Mais au-del\u00e0 de la logique de march\u00e9, l\u2019art contemporain \u00e0 Shanghai<\/strong> est devenue une v\u00e9ritable mode qui attire tous les ans des millions de touristes chinois et \u00e9trangers.<\/p>\n

Espaces futuristes, budgets \u00e0 6 chiffres, projets ambitieux et expositions pens\u00e9es pour \u00e9poustoufler\u2026 Shanghai serait-elle la nouvelle capitale de l\u2019art contemporain ? Difficile de l\u2019affirmer avec certitude, mais quoiqu\u2019il en soit elle est devenue une \u00e9tape obligatoire pour les passionn\u00e9s d\u2019art et les curieux en qu\u00eate d\u2019expositions excentriques et surprenantes. La preuve? Voici 3 expositions accessibles \u00e0 tous qui t\u00e9moignent de la nouvelle place qu\u2019occupe Shanghai dans le monde de l\u2019art contemporain.<\/strong><\/p>\n

\"\"<\/p>\n

\u00ab\u00a0The artist is present\u00a0\u00bb: l\u2019ironi<\/strong>e de Maurizio Cattelan <\/strong>au Yuz Museum<\/strong><\/h3>\n

L\u2019exposition, dont le titre fait r\u00e9f\u00e9rence \u00e0 la c\u00e9l\u00e8bre performance de Marina Abramovi\u0107<\/strong> au MoMA<\/strong><\/a> de New York<\/strong>, a r\u00e9uni quelques trente artistes de part le monde dont les oeuvres analysent les concepts d\u2019imitation, de paternit\u00e9 de l\u2019oeuvre et de la copie dans le monde de l\u2019art comme \u00ab\u00a0paradigme de la culture globale<\/strong>\u00a0\u00bb. En analogie avec le choix du titre, le lieu \u00e9tait \u00e9galement librement inspir\u00e9 de la performance de Marina Abramovi\u0107<\/strong>, mais avec une ruse subtile : dans la gigantographie choisie pour annoncer l’ouverture de l’exposition \u00e0 Shanghai<\/strong>, le visage de l’artiste serbe est remplac\u00e9 par celui d’une autre femme qui lui ressemble physiquement. Plagiat? Copie? Ou\u00a0stratag\u00e8me pour montrer comment la copie peut \u00eatre, elle aussi, consid\u00e9r\u00e9e comme un acte noble de cr\u00e9ation, caract\u00e9ris\u00e9 par la m\u00eame valeur artistique que l’original ? Le d\u00e9bat est ouvert, comme toujours lorsqu\u2019il s\u2019agit de Maurizio Cattelan<\/strong> qui, fid\u00e8le \u00e0 lui-m\u00eame, a choisi avec sarcasme de pr\u00e9senter une exposition sur la contrefa\u00e7on en Chine<\/strong>. D\u2019une reproduction de la Chapelle Sixtine<\/strong> \u00e0 un sac Gucci<\/strong> en Lego<\/strong>, les oeuvres ludiques, color\u00e9es et instagrammables, ont diverti les milliers de spectateurs. Les bloggers et fashionistas asiatiques, attir\u00e9s par le nom de Gucci<\/strong>, ont afflu\u00e9 en grand nombre et ont go\u00fbt\u00e9 \u00e0 l’incroyable monde de l’art contemporain<\/p>\n

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\u00ab\u00a0The Eternal Thread\u00a0\u00bb: Louise Bourgeois, <\/strong>entre \u00e9motions et r\u00e9flexion, a<\/strong>u Long Museum West Bund<\/strong><\/h3>\n

Visible jusqu\u2019au 24<\/strong> f\u00e9vrier 2019<\/strong> dans l\u2019incroyable \u00e9difice du Long Museum<\/strong> de Shanghai<\/strong>, \u00ab\u00a0The Eternal Thread<\/em><\/strong>\u00a0\u00bb est la premi\u00e8re grande exposition monographique en Chine<\/strong> d\u00e9di\u00e9e \u00e0 l\u2019artiste franco-am\u00e9ricaine Louise Bourgeois<\/strong>. L\u2019exposition offre une vue panoramique compl\u00e8te des oeuvres les plus c\u00e9l\u00e8bres de l\u2019artiste qui traite de fa\u00e7on approfondie et souvent autobiographique de th\u00e8mes comme la sexualit\u00e9, la famille, la solitude ou encore la condition de la femme \u00e9pouse-m\u00e8re. Parmi les spectaculaires installations expos\u00e9es, nous pouvons citer \u00ab\u00a0Maman<\/em><\/strong>\u00a0\u00bb, gigantesque araign\u00e9e en acier de la s\u00e9rie \u00ab\u00a0Spiders<\/strong><\/em>\u00a0\u00bb que l\u2019artiste a d\u00e9di\u00e9e \u00e0 sa m\u00e8re, tisseuse et restauratricede tapisseries anciennes dans l’usine familiale, d\u00e9j\u00e0 expos\u00e9e dans la Turbine Hall<\/strong> de la Tate Gallery<\/strong><\/a> \u00e0 Londres<\/strong>. Comme pr\u00e9cis\u00e9 dans le titre, les th\u00e8mes du fil et du tissage sont au centre de la production de Louise Bourgeois<\/strong>. Aiguille<\/strong> et fil<\/strong>, que la tradition associe au travail domestique f\u00e9minin, deviennent, dans les mains de l\u2019artiste, un symbole de r\u00e9conciliation, des armes contre les d\u00e9mons de la s\u00e9paration et de l\u2019abandon. Si dans certaines oeuvres ils repr\u00e9sentent une m\u00e9taphore de la r\u00e9paration des blessures du pass\u00e9, d\u2019autres fois ils symbolisent le cordon ombilical qui unit la m\u00e8re et l\u2019enfant. Dans les sculptures suspendues, le fil est \u00e9galement la repr\u00e9sentation de la fragilit\u00e9 de l\u2019existence\u2026 \u00c0 Shanghai<\/strong>, les installations les plus gigantesques et spectaculaires de Louise Bourgeois<\/strong> sont install\u00e9es \u00e0 c\u00f4t\u00e9 d\u2019oeuvres plus petites et inqui\u00e9tantes. Ces d\u00e9clinaisons diff\u00e9rentes d\u2019une unique lecture existentielle et \u00e9motive de la vie et de l\u2019art sont mises en valeur dans les impressionnants espaces d\u2019exposition en b\u00e9ton du Long Museum<\/strong>. Une exposition \u00e9mouvante qui rappelle que l\u2019art contemporain peut, et doit, amener \u00e0 de profondes r\u00e9flexions sur la soci\u00e9t\u00e9 d\u2019aujourd\u2019hui et notre mode de vie.<\/p>\n

\"\"<\/strong><\/p>\n

\u00ab\u00a0Mumbling Mud\u00a0\u00bb\u00a0: la <\/strong>\u00a0tr\u00e8s color\u00e9e exposition immersive de Katharina Grosse a<\/strong>u Chi K11 Art Museum<\/strong><\/h3>\n

\u00ab\u00a0Mumbling Mud<\/strong><\/em>\u00a0\u00bb est la premi\u00e8re exposition personnelle en Chine<\/strong> de Katharina Grosse<\/strong><\/a>, artiste allemande qui utilise la bombe en spray comme technique de peinture de pr\u00e9dilection. Des murs du mus\u00e9e au troncs des arbres, \u00a0Katharina Grosse<\/strong> a \u00ab\u00a0envahi<\/strong>\u00a0\u00bb de ses couleurs une multitude de surfaces non conventionnelles afin de cr\u00e9er des oeuvres site-specific<\/em><\/strong>. Ouverte jusqu\u2019au 24<\/strong> f\u00e9vrier 2019<\/strong>, l\u2019exposition se divise en 5<\/strong> sections et invite le spectateur \u00e0 se perdre dans un labyrinthe color\u00e9, immersif et psych\u00e9d\u00e9lique. \u00c0 peine entr\u00e9es, nous nous retrouvons catapult\u00e9es dans un espace satur\u00e9 de mat\u00e9riaux de construction et d\u2019amas de terre recouverts d\u2019une couche de peinture color\u00e9e. Les visiteurs sont ensuite amen\u00e9s \u00e0 vagabonder entre les salles en suivant les traces de couleur laiss\u00e9es par l\u2019artiste lors de l\u2019installation des oeuvres \u00e0 travers le mus\u00e9e. Dans la section suivante, de grandes bandes de tissu sont suspendues au plafond. Les formes amorphes et multicolores dont l’artiste les a recouvertes donnent au public l’impression d’explorer une m\u00e9tropole en constante \u00e9volution, dont les contours pr\u00e9cis sont impossibles \u00e0 identifier. Un hommage \u00e0 Shanghai<\/strong>, une ville insaisissable et color\u00e9e aux mille visages ? En tout cas, une exposition o\u00f9 se perdre, mais \u00e0 ne pas manquer !<\/p>\n

 <\/p>\n

Description: Sara Waka\u00a0<\/em><\/strong><\/p>\n

Edited by: Camille Brunet<\/em><\/strong><\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Shanghai nouvelle place to be\u00a0de l\u2019art contemporain? Trois expositions – \u00e0 la port\u00e9e de tous – nous le prouvent! Shanghai est une m\u00e9galopole qui voit grand et qui sait bien vivre. Avec ses 24 millions d\u2019habitants il s\u2019agit de la ville la plus peupl\u00e9e de Chine et du monde. Capitale \u00e9conomique de la R\u00e9publique Populaire […]<\/p>\n","protected":false},"author":3,"featured_media":5420,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1715,36],"tags":[1464,1465,1466,1467,1468,1469,1470,1471,1456,1472,1457,1473,1458,1474,1459,1460,1461,1462,1463,1455,61,64,662,68,69,54,58,560,625,12],"class_list":["post-5391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-china","category-lets-go","tag-alessandro-michele","tag-gucci","tag-marina-abramovic","tag-the-eternal-thread","tag-louise-bourgeois","tag-1469","tag-1470","tag-1471","tag-long-museum","tag-1472","tag-liu-yiqian","tag-1473","tag-shanghai-h","tag-1474","tag-ow","tag-power-station-of-arts","tag-moganshan-lu-m50","tag-yuz-museum","tag-rockbund-art-museum","tag-shanghai","tag-sara-waka","tag-wakapedia","tag-camille-brunet","tag-68","tag-69","tag-federica-forte","tag-maurizio-cattelan","tag-yoka-miyano","tag-625","tag-art"],"acf":[],"yoast_head":"\nShanghai - Art Week - Wakapedia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wakapedia.it\/fr\/shanghai-art-week\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Shanghai - Art Week - Wakapedia\" \/>\n<meta property=\"og:description\" content=\"Shanghai nouvelle place to be\u00a0de l\u2019art contemporain? Trois expositions – \u00e0 la port\u00e9e de tous – nous le prouvent! Shanghai est une m\u00e9galopole qui voit grand et qui sait bien vivre. Avec ses 24 millions d\u2019habitants il s\u2019agit de la ville la plus peupl\u00e9e de Chine et du monde. 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Du 11<\/strong> octobre au 16<\/strong> d\u00e9cembre 2018<\/strong>, le Yuz Museum<\/strong> de Shanghai<\/strong> a accueilli \u00ab\u00a0The Artist is Present\u00a0<\/strong><\/em>\u00bb, une exposition confi\u00e9e \u00e0 l\u2019artiste italien Maurizio Cattelan<\/strong><\/a>, en collaboration avec le \u00a0directeur artistique de la Maison Gucci<\/strong>, Alessandro Michele<\/strong>.<\/p>\n