{"id":4839,"date":"2017-09-19T17:12:57","date_gmt":"2017-09-19T15:12:57","guid":{"rendered":"http:\/\/www.wakapedia.it\/?p=4839"},"modified":"2017-09-28T12:47:49","modified_gmt":"2017-09-28T10:47:49","slug":"satoshi-fujiwara","status":"publish","type":"post","link":"https:\/\/www.wakapedia.it\/fr\/satoshi-fujiwara\/","title":{"rendered":"Satoshi Fujiwara\uff08\u85e4\u539f\u8061\u5fd7\uff09"},"content":{"rendered":"

<\/p>\n

\u201cIls me disaient toujours \u00ab\u00a0Il n\u2019y a personne de plus inutile que toi!\u00a0\u00bb j\u2019ai tout laiss\u00e9 au Japon et je suis parti pour Berlin pour suivre mon r\u00eave: la photographie<\/strong>\u201d.<\/strong><\/h2>\n

\"\"N\u00e9 il y a un peu plus de 30<\/strong> ans \u00e0 Kobe<\/strong>, ville japonaise proche d\u2019Osaka<\/strong>, Satoshi Fujiwara<\/strong><\/a>\u00a0s\u2019est passionn\u00e9 pour la photographie assez tard, en 2012<\/strong> pour \u00eatre exact, quand, apr\u00e8s une carri\u00e8re frustrante comme graphiste dans son pays natal, il d\u00e9cide de faire \u00ab\u00a0le grand saut\u00a0\u00bb et de partir pour Berlin<\/strong>. Il raconte: \u00ab\u00a0Au Japon, j\u2019ai travaill\u00e9 5 ans \u00e0 Tokyo en tant que graphiste pour diff\u00e9rentes agences qui me disaient toutes \u00ab\u00a0il n\u2019y a personne de plus inutile que toi\u00a0\u00bb. Alors un jour, je me suis dit \u00ab\u00a0\u00e7a suffit, je balance tout et je commence une nouvelle vie!\u00a0\u00bb, c\u2019est comme \u00e7a que je suis parti pour suivre mon r\u00eave: la photographie. J\u2019ai choisi Berlin car mes deux photographes pr\u00e9f\u00e9r\u00e9s sont allemands, Thomas Ruff et Thomas Demand\u00a0\u00bb<\/strong>.<\/p>\n

Avec le recul, il faut reconna\u00eetre que Satoshi a fait le bon choix et a eu une belle revanche! 5<\/strong> ans seulement apr\u00e8s son d\u00e9part, il est un photographe reconnu mondialement et peut se vanter de nombreuses collaborations prestigieuses. Son premier grand projet a \u00e9t\u00e9 une collaboration avec le styliste japonais Issey Miyake<\/strong>: une ligne de t-shirts imagin\u00e9e d\u2019apr\u00e8s une de ses s\u00e9ries de portraits photographiques. Puis, la cons\u00e9cration est arriv\u00e9e avec la campagne publicitaire de la Deutsche Oper Berlin<\/strong> qui a choisi pour ses affiches de la saison 2016<\/strong> les photos de Satoshi, \u00ab\u00a0afin de cr\u00e9er un choc visuel et susciter l\u2019int\u00e9r\u00eat des citadins dans les rues berlinoises\u00a0\u00bb explique t\u2019il.<\/p>\n

\"\"<\/p>\n

Mais quel est l\u2019objectif de Satoshi en tant que photographe? \u00ab\u00a0Je veux cr\u00e9er un nouvel esth\u00e9tique\u00a0\u00bb<\/strong>, affirme t\u2019il, \u00ab\u00a0Contrairement aux Beaux-Arts, la photographie a une histoire r\u00e9cente de \u00ab\u00a0seulement\u00a0\u00bb 200 ans, mais elle a des codes forts qui influencent de nombreux photographes contemporains. Je veux me sentir libre et rompre avec ces sch\u00e9mas, je veux \u00ab\u00a0pressuriser\u00a0\u00bb les images, les \u00e9craser, les manipuler et faire ressortir leur violence, leur force visuelle\u00a0\u00bb<\/strong>. Est-ce que cette approche imp\u00e9tueuse et agressive est forme de r\u00e9bellion apr\u00e8s 5<\/strong> ans de frustration et d\u2019humiliation au Japon<\/strong>?! Une possibilit\u00e9 \u00e0 ne pas exclure\u2026\"\"<\/p>\n

Le style de Satoshi est tr\u00e8s particulier. En prenant ses distances avec le photo-journalisme documentaire actuel, Satoshi a pour pour ambition de cr\u00e9er un nouveau langage, capable d\u2019 (r\u00e9)activer le regard critique de l\u2019observateur.<\/p>\n

Dans sa s\u00e9rie photographique \u00ab\u00a0Code Unknown<\/strong>\u00a0\u00bb, par exemple, Satoshi a r\u00e9alis\u00e9 de nombreux portraits de voyageurs dans le m\u00e9tro berlinois<\/strong>. Il a pris en cachette des photos d\u2019inconnus, sans faire signer de d\u00e9charge, ni demander l\u2019autorisation. Il explique: \u00ab\u00a0cette s\u00e9rie est une r\u00e9flexion sur la notion de portait right \u00bb<\/em><\/strong>(droit \u00e0 l\u2019image). Pour pouvoir publier les photos sans l\u2019accord des sujets, Satoshi les a retravaill\u00e9es \u00e0 coups de cropping <\/em><\/strong>(recadrage) et de digital processing<\/em> (post-production), jusqu\u2019\u00e0 arriver \u00e0 la limite du reconnaissable. Ses photos, extraites du contexte, sont des d\u00e9tails visuellement violents et pour le spectateur c\u2019est presque impossible \u00e0 d\u00e9chiffrer o\u00f9 et quand elles ont \u00e9t\u00e9 prises. En effet, les close-up <\/em><\/strong>(gros plan) typiques de Fujiwara rendent pratiquement m\u00e9connaissables, \u00e0 la limite de l\u2019abstraction ou de l\u2019\u00e9nigme, les images, en les privant de toute possibilit\u00e9 narrative.<\/p>\n

\"\"<\/p>\n

Satoshi dit \u00e0 ce propos \u00ab\u00a0j\u2019ai compris qu\u2019en changeant le contexte, je changeais aussi la signification des images. Alors j\u2019ai d\u00e9cid\u00e9 de d\u00e9monter morceau par morceau mes photos jusqu\u2019\u00e0 cr\u00e9er un autre contenu. J\u2019ai fait de nombreuses s\u00e9ries de ce type et elles sont, pour la majeure partie, visibles \u00e0 Milan<\/strong> jusqu\u2019\u00e0 la mi-octobre\u00a0\u00bb.<\/p>\n

Organis\u00e9e par la Fondation Prada<\/strong><\/a> pour la Galerie Vittorio Emanuele<\/strong> \u00e0 Milan<\/strong>, son expo s\u2019intitule \u00ab\u00a0EU<\/strong>\u00a0\u00bb, sigle concis et essentiel (h\u00e9ritage de notre esprit spirituel minimaliste typique japonais? ndr) qui \u00e9voque le fil conducteur de ces clich\u00e9s disparates: l\u2019Europe.<\/p>\n

L\u2019exposition se divise en deux parties: \u00e0 l\u2019\u00e9tage inf\u00e9rieur on peut voir l\u2019installation \u00ab\u00a05K Confinement\u00a0<\/strong>\u00bb, commissionn\u00e9e en 2016 \u00e0 l\u2019artiste pour \u00ab\u00a0Belligerent Eyes<\/strong>\u00a0\u00bb, un projet de recherche de la Fondation Prada<\/strong> sur la production contemporaine d\u2019images, expos\u00e9e \u00e0 Ca\u2019 Corner <\/strong>della Regina, si\u00e8ge v\u00e9nitien de la fondation. Dans ce reportage photographique initi\u00e9 par Cippini qui r\u00e9unit des cam\u00e9ras diverses – du t\u00e9l\u00e9phone portable \u00e0 la cam\u00e9ra professionnelle – Satoshi analyse le stress des personnes qui se savent observer, une question tr\u00e8s actuelle dans notre soci\u00e9t\u00e9 orwellienne contemporaine.<\/p>\n

\"\"<\/p>\n

Le deuxi\u00e8me \u00e9tage accueille en revanche une r\u00e9trospective de ses r\u00e9centes s\u00e9ries photographiques: de \u00ab\u00a0#R\u00a0<\/strong>\u00bb, repr\u00e9sentant de fa\u00e7on constructive le conflit entre les forces de police et les activistes, \u00e0 \u00ab\u00a0THE FRIDAY: A report on a report\u00a0<\/strong>\u00bb (2015) – reportage photographique qui immortalise les nombreuses troupes de reporters aper\u00e7us \u00e0 Paris<\/strong> lors des attentats terroristes de ces derni\u00e8res ann\u00e9es – mais aussi des d\u00e9tails d\u2019une partie de foot amateur, ou des photos prises \u00e0 la foire du sexe Venus<\/strong> \u00e0 Berlin<\/strong>. Dans ces diff\u00e9rents projets, Satoshi a retir\u00e9 le contexte pour donner un nouveau sens aux images.<\/p>\n

\"\"L\u2019am\u00e9nagement de l\u2019exposition milanaise, imagin\u00e9e par le conservateur Luigi Alberto Cippini<\/strong>, dans une s\u00e9quence d\u2019instantan\u00e9es sans aucun contexte narratif lin\u00e9aire, est imbriqu\u00e9e au mat\u00e9riel photographique de Fujiwara. La photographie sort de la classique bidimensionnalit\u00e9 de l\u2019\u00e9cran et de l\u2019impression et s\u2019approprie de grandes toiles en PVC sur lesquelles sont reproduits les clich\u00e9s. Fix\u00e9es sur les murs avec des \u00e9l\u00e9ments m\u00e9talliques industriels, les b\u00e2ches se plient sur le sol de fa\u00e7on suggestive et tridimensionnelle.<\/p>\n

Un choix audacieux et original qui joue un r\u00f4le cl\u00e9 dans l\u2019utilisation \u00ab\u00a0hors \u00e9cran<\/strong>\u00a0\u00bb des oeuvres du photographe japonais.<\/p>\n

 <\/p>\n

 <\/p>\n

Description & Interview: Sara Waka<\/em><\/strong><\/p>\n

Edited by: Camille Brunet<\/em><\/strong><\/p>\n

Photo:\u00a0Satoshi Fujiwara, Ivan Grianti<\/em><\/strong><\/i><\/b><\/p>\n

<\/h3>\n

<\/p>","protected":false},"excerpt":{"rendered":"

\u201cIls me disaient toujours \u00ab\u00a0Il n\u2019y a personne de plus inutile que toi!\u00a0\u00bb j\u2019ai tout laiss\u00e9 au Japon et je suis parti pour Berlin pour suivre mon r\u00eave: la photographie\u201d. N\u00e9 il y a un peu plus de 30 ans \u00e0 Kobe, ville japonaise proche d\u2019Osaka, Satoshi Fujiwara\u00a0s\u2019est passionn\u00e9 pour la photographie assez tard, en […]<\/p>\n","protected":false},"author":1,"featured_media":4850,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[36,41],"tags":[1228,1229,1230,1227,1223,1224,1225,1226,1215,1216,1217,1218,1219,1220,1221,1222,1211,1212,1213,1214,1210,1207,1208,1209,1203,1010,61,95,62,64,662,65,906,69,54,844,942,560,881],"class_list":{"0":"post-4839","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","6":"hentry","7":"category-lets-go","8":"category-italia","9":"tag-thomas-ruff","10":"tag-1229","11":"tag-1230","12":"tag-fondation-prada","13":"tag-fotografo-giapponese","14":"tag-1224","15":"tag-observatory-of-galleria-vittorio-emanuele-by-the-prada-foundation","16":"tag-1226","17":"tag-issey-miyake","18":"tag-code-unknown","19":"tag-osservatorio-in-galleria-vittorio-emanuele","20":"tag-5k-confinement","21":"tag-belligerent-eyes","22":"tag-luigi-cippini","23":"tag-the-friday-a-report-on-a-report","24":"tag-luigi-alberto-cippini","25":"tag-1211","26":"tag-prada-osservatorio","27":"tag-osservatorio-galleria-vittorio-emanuele","28":"tag-eu","29":"tag-satoshi-fujiwara","31":"tag-satoshifujiwara","32":"tag-japanesephotographer","33":"tag-1203","34":"tag-elisa-da-rin","35":"tag-sara-waka","36":"tag-95","37":"tag-sarawaka","38":"tag-wakapedia","39":"tag-camille-brunet","40":"tag-65","41":"tag-fondazione-prada","42":"tag-69","43":"tag-federica-forte","44":"tag-lofficiel-italia","45":"tag-942","46":"tag-yoka-miyano","47":"tag-yurie-n"},"acf":[],"yoast_head":"\nSatoshi Fujiwara\uff08\u85e4\u539f\u8061\u5fd7\uff09 - Wakapedia<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.wakapedia.it\/fr\/satoshi-fujiwara\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Satoshi Fujiwara\uff08\u85e4\u539f\u8061\u5fd7\uff09 - Wakapedia\" \/>\n<meta property=\"og:description\" content=\"\u201cIls me disaient toujours \u00ab\u00a0Il n\u2019y a personne de plus inutile que toi!\u00a0\u00bb j\u2019ai tout laiss\u00e9 au Japon et je suis parti pour Berlin pour suivre mon r\u00eave: la photographie\u201d. 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